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BOOK ANNOUNCEMENTS:

Frank Hoffmann & Mark E. Caprio (eds.),
Witness to Korea 1945–47: The Unfolding of an Authoritarian Regime  (more …)

ISBN: 978-1-95-606791-0  (Paperback)   |   ISBN: 978-1-95-606708-8  (Kindle eBook)
ISBN: 978-1-95-606707-1  (Hardcover)   |   ISBN: 978-1-95-606709-5  (PDF)

 

Richard D. Robinson’s Betrayal of a Nation and Mark Gayn’s “Korea” section in his Japan Diary are the most substantial, intense, and critically engaging descriptions of immediate post-liberation southern Korea written in English between 1945 and the beginning of the Korean War in 1950. Robinson’s academic essay and Gayn’s journalistic diary each combine razor-sharp political analysis with personal eyewitness observations, despite the difference in literary genre. Both examine the early Cold War politics of the United States Army Military Government in Korea (USAMGIK) and American support of right-wing Korean politicians. Three supplementary essays by the editors examine the lives of Robinson and Gayn during McCarthyism, the emergence of right-wing politicians and fascist youth groups, and America’s culpability in the establishment of South Korea’s first authoritarian regime.

 

 

 

 

 

Witness to Korea 1945-47

Frank Hoffmann, Berlin Koreans and Pictured Koreans  (more …)

ISBN: 978-3-7069-0873-3  (Paperback)   |   ISBN: 978-3-7069-3005-5  (PDF)

 

In its first, almost book-length chapter, Berlin Koreans and Pictured Koreans provides a detailed account of Korean students, revolutionaries, and professionals in Berlin (of the Wilhelmine, Weimar, and National Socialist eras). Carefully researched and lavishly illustrated, the study provocatively exposes cultural and political connections that are often unexpected and disquieting. Two shorter essays analyze an artwork and mass-produced advertisement art to assess Germany's take on Korea and the East and what that means for the country's own search for identity and its stance on colonialism. The book challenges and extends established historical and art historical models regarding colonial modernity, the relationship between politics and modernism in art and dance, and the privileged status Nazism bestowed on international specialists. It makes exhaustive use of European, American, Korean, and Japanese primary and secondary materials and archival sources.